Conscious Refuge: A Conversation with JONATHAN BAKENGA
Jonathan Bakenga is a young artist, designer, engineer, activist, and creator from Goma who currently lives and works in Bujumbura, Burundi.
What parts of your personal story most influence your work today?
My childhood, without a doubt. I spent my entire childhood closed off in myself, and then my little brother came into the world not long after me, so I didn’t even have time to enjoy maternal love like other children at that age. Then, when I discovered art, it was like a real refuge for me — and a good friend to spend time with.
Yes, I grew up too fast — forced to, by the reality of my society. That premature growth is the source of my art. I always found refuge in art, a way to escape from reality.
Was there ever a moment when you almost gave up on art — or has art never let you go?
Yes, there was a moment when I almost gave up. But art — art never let go of me.
Your work often carries intensity. What do you hope people feel when they look at one of your pieces?
My work is emotionally intense, yes, but not necessarily spiritual. I want people to feel a kind of inner consciousness — to recognise themselves as part of a larger human experience. I want them to remember that we are social beings, layered with a subconscious life we rarely acknowledge.
I see that this refuge is ambiguous, as Kingman Brewster Jr. said: “If I take refuge in ambiguity, I assure you that it’s quite conscious.”
Without doubt.
Is there a recurring question or idea in your art — even if you don’t notice it at first?
Absolutely. The question of humanity within society. Our lies, our ideals, the façades we constantly wear in front of others… that’s something that returns again and again in my work.
Would you describe your art as a form of resistance, healing, testimony — or something else?
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